jaebility: (ffvii // girls)
[livejournal.com profile] tithenai wrote an interesting entry about silencing female characters: The Graveyard Women: Lest We Forget.

"I hate that in everything I read lately, it’s women who lose their memories – women who have had great adventures, who have been great, who have done great things. In the things that I read and watch on television, these women give up their memories, or have them taken from them, or allow them to be taken from them, in order to keep themselves from harm. They give up their longings, their desire for adventure, the adventures they have had, in order to stay sane, or keep their heads from exploding, or, sometimes, to save the world."

I completely agree with [livejournal.com profile] tithenai here; it's depressing that women are left behind - if they get included at all - that they're the ones who make sacrifices, or that they're the ones who need to be killed off, raped, kidnapped in order to move the plot. Women are devices in these stories; they aren't characters and they certainly aren't the heroes.

Here's hoping that 2010 will produce new fiction unhampered by this misogyny.

derp derp

Dec. 30th, 2009 12:52 pm
jaebility: (random // harpy)
Been distracting myself with the naming system in my magic!school!story. I want the last names to be derived from both parents, instead of the typical patrilineal surname practice. Two main reasons for this: Women are more powerful and influential in this world and tracing lineage through one's mother is as important, if not more important, than doing so through one's father; character J is a bastard, and I want everyone to know this immediately. People need to see him as half a person, as castrated, even. Also, this is a British setting, and I like the connotations that the hyphenated last name has.

Yay! Love working on things like this.
jaebility: (sm // u&n smex)

SQ
Working on: Rescuing Mari from the docks, bringing her back to Atlantic Ave for the final battle.
Word for this chapter: 1560

Have somehow miscalculated my score so that I'm 1000 words behind my previously estimated word count. Am back from my folks' house, am clean and have on fuzzy socks, will be making a second cup of tea. Am certainly not wasting time futzing around on DreamWidth. Nope. Definitely not doing that.
jaebility: (ffx // aurikku lap)

SQ
Working on: Outwitting the trolls that live under the Brooklyn Bridge.
Word for this chapter: 850

So close I can taste it!
jaebility: (random //  zero punct)
I've been following the Harlequin vanity bodice-ripping wank! (Even more awesome than it sounds) since the Smart Bitches posted about it. Besides being a romance novel reader - and one who's a fan of Harlequin Historicals in particular - I've been fascinated by this debacle because I'm working on a romance novel myself, one that I hope to one day attempt to sell.

I'm completely against Harlequin here. WTF, guys, just WTF. Vanity publishing is the enemy of authors. You might as well drop your book in a vat of acid along with your life savings. I admire the hell out of RWA, SFWA, and MWA for taking a stand against Harlequin's idiocy.

Harlequin's already done some back-pedaling. It'll be interesting to see how this gets resolved.
jaebility: (yuma // book)
Back in the days of yore when I was super active in fandom, I used FF.net. Really that was all there was. Other than that, I submitted my Digimon and Zelda fics to personal shrines/sites - Mostly on Geocities, if I remember correctly, so they're probably long gone. I have very little experience with fanfiction archives; after FF.net, I primarily used my LJ for fics, both for posting my own and reading other people's work.

Anyone get an invite to AO3? Even if you haven't, what do you think of it?
jaebility: (beatles // paul in glasses)
Found this great post when wandering around LJ this morning: To Develop Your Writer's Intuition, You Must First Read Like a Maniac by Justine Musk.

"Reading is living. It is a way of touching minds with some of the most remarkable minds that exist or ever did exist. Reading takes you deeper into the nature of reality, helps you penetrate the human condition itself. It enlarges your consciousness. It provides you with experiences you never could have had in any other way (or just haven’t had yet). And when you put the book down, everything you take away from it helps you live your life with added depth and richness. Fiction may not provide you with the same kind of information as non-fiction, but information is not always knowledge, and knowledge is not always wisdom. Fiction – the best fiction – is wise, and makes you just a little bit wiser, and you can take that wisdom and apply it across all the different parts of your life."

This is a great essay about what a person needs to be a writer - Namely books. I agree with Musk and I can relate to her as a compulsive, obsessive reader. Between The Boy and me, we've filled three bookcases in our apartment, filled them so that books are stacked in rows of twos or piled up. There are books on our desks, on the kitchen table, on our bureaus, and I've got a tower of books next to my side of the bed. Books! Love 'em!

"Reading is the inhale, writing is the exhale."

WOW. YES. YES THAT'S AN AWESOME WAY OF PUTTING IT.
jaebility: (beatles // p&j guitars)

SQ
Working on: Walking along the boardwalk as Mari comes to terms with her little death and Simonsant and Nine flirt/fight.
Word for this chapter: 89

Chugging along in NaNo. I've fallen a bit behind, but I'll be able to catch up this weekend. It's almost halfway done!

I'm not as happy with SQ as I was with TTBtM last year. My writing's just so bare bones; all my sentences are the same and my vocabulary so limited. I have a hard time writing descriptions. Reading Catherynne M. Valente makes me desperate to come up with metaphors and similes like hers, but I don't have her lyrical ability. One of the folks in my writers group said he didn't like my metaphors/similes - Too forced and awkward. Gahhhhhhh I have these images in my brain but somehow they get muddled up and crappy when I translate them into writing.

Blarggggggggggglepants.
jaebility: (coraline // porch)


HAHAHA YES. This is exactly what I go through whenever I try to write. Graph's by Jim Hines, who gets more and more awesome with every day.
jaebility: (pw // lawyercest kissy)

TTBtM
Working on: Getting Kate to Jane's house.
Word count for this chapter: Miserable. I think I'm at about 200 now.

Ugh. Why have I been so thought-constipated lately? Can't do this and I haven't finished my stupid FF-exchange story yet, which is due in two damn days. I'm hoping that little word bar will help inspire me. Ugh. UGH I SAY.

Maybe I should make a bar for "Fine Art," too. I'd really really like to finish that sometime this freakin' century. It's only been about 10 goddamn years since I started it.
jaebility: (yum)
Bookstove has a list of Five Good Books About Genre Writing by Actual Authors, which includes The Writer’s Guide to Everyday Life in the Wild West: From 1840-1900 by Candy Moulton.

MUST GET THIS BOOK TO WRITE MORE REALISTIC 3:10 TO YUMA PORN.

Next time I have an Amazon gift certificate, I'm getting the hell outta that book.

I did a fair amount of research for TTBtM, which takes place around the same time period as Yuma, last year and then a little more when I started work on the second draft. Medical care and fashion were my main topics of study, since my main characters are most interested in those subjects. I think I avoided any major anachronisms or snafus in general; we'll see what my writers group has to say.

Here's another interesting link about writing: Villains vs. antagonists by Marie Brennan.
jaebility: (digimon // daiken tree)
So I'm reading The Athenian Murders by José Carlos Somoza. And. It's. Awesome.

I usually read very quickly; I've mastered the art of skimming. But I'm deliberately reading this slowly, forcing myself to read every damn word on the page. Because? It's awesome.

There are two storylines occurring simultaneously: A murder that occurred in ancient Greece and then the translation of that story by a modern-day scholar who talks to the audience through footnotes. But! That's not even the coolest thing. The translator notices that the text makes use of eidesis, a literary device used by the Greeks in which words and phrases are repeated in order to "evoke a particular image or idea."

SO COOL.

I don't know if eidesis is a real literary device or if Somoza created it for the book; I've never come across it in my literature courses or the few classes I took on the classics, and a Google didn't turn up much. But the idea of it, that you can subtly tell another story within a story, is so freaking cool. Makes me want to dig out all the plays I read in college and pick through them. I decided on the train that I was going to try it in my crappy fantasy story that I've been working on, so today I tried adding bits about beaks, teeth, and birds, which are images that'll be imperative to the finale. Eeeee so cool.

EDIT: Well played, The Athenian Murders, well played.
jaebility: (pw // lawyercest kissy)
"When you're a teenager it's true: Life is hard. You're beginning to see how profoundly you can be disappointed or disappoint others yourself; you can be taken aback by cruelty, both that of others and, shockingly, that of yourself; you feel the pressure of the future as you're pressed about colleges, about majors, about extracurriculars; you begin to keep secrets about your thoughts, about what you do; and sex! my god, sex is so confusing." Shining Light on the Demons of Adolescence by jdeguzman

Thought a lot about Coraline this weekend, as per usual. In the book and movie, she's twelve, maybe eleven - But not a teenager, and certainly not 16 or 17, when concerns about college and sex grow prominent.

I like thinking and writing about Coraline as a kid or as an early teenager, but shit gets real when she's a bit older.

Ok, tangent: I was talking to The Boy the other day about how I don't like the "oops I fell onto you" trope that pops up in (or "oops I fell into" hur hur hur) fiction. Crappy romance novels love this: the heroine accidentally trips and lands on the hero, tee hee hee, and they realize how physically attractive the other is. I don't like how it strips the characters of choice. Characters, especially adult characters, shouldn't have interaction forced upon them because they're too immature to initiate something themselves.

I think Coraline has a clear image of what she wants. She thinks she's independent because she's often alone - her parents are too busy to attend to her. It's only at the end that she realizes how she can be truly independent. Coraline's an instigator, too.

Tangent again: In my mind, Wybie's mother was a single parent. I like the idea that Wybie's always been around independent women, that all his role models are strong and female. He's more than content to follow Coraline - He learns to trust her (even though she's batshit insane as far as he's concerned) and willingly puts himself in danger because he so strongly believes in her (and his Other version even SPOILER! diesfor her).

What I like about her (and Yuffie, too, actually; in my mind they share a lot of characteristics) is that Coraline is bold and confident in her actions and decisions. There's a scene in the movie where she runs up a flight of stairs with (Other) Wybie behind her. He holds onto the railings; she doesn't. Coraline's movements are certain, unlike Wybie's, which needs support. (Coraline could totally be a meme like Chuck Norris. Coraline doesn't run up stairs, stairs run from her! ...Let's pretend that made sense.) That's a very telling scene.

Where was I going with this...

The quote is taken from a post about YA literature and teenagers' experiences in general. And hell yeah do I agree. Those years were hard and confusing and painful - I still am baffled by a lot of what happened, by a lot of what I did. I read YA novels as a kid and teenage, though I don't think I actively searched for them or even realized that I was reading in the YA genre. When I got older and started to differentiate between YA and adult novels, I moved away from the former. But now I think I'm becoming enamored with them.
jaebility: (ffvii // monochrome)
A completed story by me will always include lines for summary, author's note, and, if applicable, warning or rating. I don't write noncon or dubcon, but if I ever do so, it'll be made ABUNDANTLY CLEAR somewhere in the heading. Sometimes my drabbles don't have these headings; I've been going back to edit such entries, though none of them are explicit.

I will continue include that information before a story because I'm not an asshole.

"Survivors are asking that authors not hurt them even further by placing them in danger of being thrown back to such harmful mindsets. Survivors are asking that they be given a tool that helps them choose their fandom space and continue to heal, rather than have the same wounds reopened. And most importantly, survivors are asking for something that they did not have at the time of the assault(s): the power to say no. The power to not be made helpless and afraid." Sexual Assault, Triggering, and Warnings: An Essay by impertinence (Warning: Very explicit discussion of sexual assault and the nature, anatomy, cause & effect of triggers. Is itself triggery.)
jaebility: (pw // lawyercest kissy)
Found another helpful list of tips for writers! This one's Ten Mistakes Writers Don’t See (But Can Easily Fix When They Do) by Pat Holt. Holt gives detailed explanations for each of these sins; I'm just going to list them. The article's really interesting - Definitely Check it out.

1. Repeats
2. Flat writing
3. Empty adverbs (Oh man, I am definitely guilty of this one)
4. Phony dialogue
5. No-good suffixes
6. The "to be" words
7. Lists
8. Show, don't tell
9. Awkward phrasing
10. Commas

When I started writing in Yuffie's voice, I threw in a crapload of adverbs, since (in my interpretation of her) one of her habits is to exaggerate. Around that time I started to re-re-write "Fine Art," deliberately creating a new voice for Daisuke, and since they share some personality traits, I started using adverbs in his speech, too. Aaaand I was also writing in Rikku's POV, and she's a lot like Yuffie, so...

And now I can't stop! I use "actually" and "definitely" too often. Must attempt to curtail the habit.

writ0rz

Apr. 27th, 2009 02:05 pm
jaebility: (ffvii // black and white)
Currently working on:
- "Fine Art" (Digimon 02; slash)
- "Birds & Bees (Coraline; gen, light het)
- "Masca" (original; gen; light femslash)
- TTBtM (original; het)

Little smattering of everything! I've been mostly working on my original crap, but then this weekend I began preparing the next chapter of FA: I think I have the layout all set. Also, I found some good lines when I was searching through my FA notebook that I can steal. And B&B is chugging along. I really like writing in Wybie's voice - He's such an awkward sweetheart.

I'm at 6000+ words with "Masca," and this second draft is a huge improvement on the first one.
Old first sentence: "The children of Alysinin hid in the gray rocks of the mountains, with only thin rabbits and scarce berries for food and with only the sparse, prickly pine trees for protection against the cold swirling wind that slid down from the white peaks."
New first sentence: "They squatted in the canyons, in the gaps between boulders."

First one was way too stuffy, too self-important. Jae: Your writing is bad and you should feel bad. I dropped the name of the tribe completely from the story and chopped the whole creation-myth to about half of its original length. And I think the ending's finally in sight. Some kissing, some more undressing, then some burning buildings and it'll be over. Hopefully I'll have something halfway decent to show the writers group.

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